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Jamie Holdham

Jamie Holdham

0:42	Est. Play Time
32	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
2 Flutes	13	3	8	4	92%
Bass Flute	9	0	6	4	80%
View all 13 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
2 Flutes	13	3	8	4	92%
Bass Flute	9	0	6	4	80%
Harp II	6	3	5	3	70%
	0	0	0	0	0%
3 Clarinets in A	7	0	4	2	50%
1 Piccolo	3	0	1	2	40%
2 Oboes	8	6	2	2	40%
Harp I	3	1	3	3	40%
	0	0	0	0	0%
3 BASSOONS	3	0	2	4	33%
4 Horns in F	2	1	0	1	20%
3 Trombones	3	1	0	2	20%
Horn in F	2	1	0	1	20%

Jamie Holdham

4:32	Est. Play Time
31	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Pipe Organ	24	1	8	10	98%
	28	1	10	8	100%
	25	0	9	4	100%

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Pipe Organ	24	1	8	10	98%
	28	1	10	8	100%
	25	0	9	4	100%

Jamie Holdham

1:07	Est. Play Time
32	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord		16	4	5	6	83%
		17	1	5	6	88%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord		16	4	5	6	83%
		17	1	5	6	88%

Jamie Holdham

0:10	Est. Play Time
32	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violini.	2	1	0	1	100%
Clarinetti I.II in B (A♭).	2	1	0	1	100%
View all 13 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violini.	2	1	0	1	100%
Clarinetti I.II in B (A♭).	2	1	0	1	100%
Flauti I.II.	2	1	0	1	100%
Viola.	2	1	0	1	100%
Violins	2	1	0	1	100%
Corni I.II in F (Fa).	3	0	0	3	85%
Corni III.IV in D (Re).	3	0	0	3	85%
Fagotti I.II.	4	0	0	4	85%
Oboi I.II.	2	1	0	2	71%
Trombe I.II in F (Fa).	2	1	0	2	43%
Contrabasso.	12	0	5	1	29%
Timpani in D u.A (Re La).	1	0	0	1	29%
Violoncello.	12	0	5	1	29%

Jamie Holdham

2:15	Est. Play Time
27	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
12 VIOLONCELLE.	24	0	10	4	70%
1 CONTRABASS- TUBA. (C.)	6	0	1	3	67%
View all 27 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
12 VIOLONCELLE.	24	0	10	4	70%
1 CONTRABASS- TUBA. (C.)	6	0	1	3	67%
2.u.3. (B.)	18	21	7	5	66%
12 BRATSCHEN.	17	0	4	5	57%
1. 3 gr.FLOTEN.	9	1	3	5	56%
2 Tenor. (B) 4 TUBEN.	7	2	3	4	53%
2.u.3.	12	10	4	5	48%
	8	6	1	5	52%
	6	0	2	4	33%
1. (B.) 3 CLARINETTEN.	17	0	5	3	52%
1 BASS- CLARINETTE. (B)	13	0	5	4	52%
3.u.4.	15	14	8	5	52%
2 Bass. (F.)	5	4	1	4	50%
3.	15	1	4	5	50%
1.u.2. 4 HORNER.	15	12	8	5	48%
ENGLISCHES HORN.	5	0	2	5	48%
Violins	24	0	9	5	48%
1. 3 TENOR-BASS- POSAUNEN.	7	4	1	4	47%
16 erste 32 VIOLINEN. 16 zweite	22	0	10	4	44%
1.u.2. 3 FAGOTTE.	5	2	2	4	44%
1 BASS-TROMPETE. (Es.)	13	0	5	5	44%
1. 3 HOBOEN.	4	0	0	4	41%
1 CONTRABASS- POSAUNE. (C)	4	0	0	4	33%
8 CONTRABASSE.	5	0	0	4	26%
1. (Es.) 3 TROMPETTEN.	3	0	3	4	22%
2.u.3. (Es.)	4	2	3	3	15%
Pauken.	2	0	1	1	7%

Mozart - String Quartet No.19. {Introduction.}

Jamie Holdham

2:29	Est. Play Time
22	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Viola	18	0	6	4	100%
Violoncello	21	0	9	5	100%
View all 4 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Viola	18	6	4	100%
Violoncello	21	9	5	100%
Violino I	22	7	6	91%
Violino II	17	6	6	91%